DRL Echobox

Think of the namesake: #Strawberry-Alarm-Clock, and then take 60's garage rock to grunge-metal school. Now apply a generous helping of happy go lucky to #My-Bloody-Valentine and you've got Whiplash. Thanks Carolyn: http://caremix.blogspot.com/

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This song is appropriate for the end of my crazy day. Mercury spill in the house, host troubles, awesome funding meeting, weird neighbor news. #At-Dusk crunches crunchy guitars in this one. Will's drums are spaced out real crazy like. The song is a dirty rocker. No wait! It's a sweet melody. No wait - it's a mathematical transition. With double bass drum. And a skittering gypsy dance. If you had to sum up early At Dusk's facets in one song, this has got a little of everything. (5:00) Oh shit I forgot I played a little guitar solo on this! Love the vocal compression overload at the end. Someday I'm gonna dig these files out and remixify them. Someday when I have a bunch *more* time than I do now. Ciao and goodnight.

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Here's some celebratory punk anger to mark the occasion of Grabb.it's return from nasty hosting-provider-caused downtime.

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thanks Will - he says "that's not what Portishead does!"

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@al3x reminded me of them on Twitter. This is a pretty good song for a too hot night.

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I wrote this in the time it took to record, on a free 4-track shareware for Windows 98. It's still one of the songs I'm proudest of - amazing what you can do with strong constraints.

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Thanks @marcus for this original techno thriller! The synth sounds like Revenge of the Nerds http://www.youtube.com/watch?v=SkzAJs7NutM and the scratchiest vocals sound like #Lee-Perry

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